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By Giordano Bruno. Edited and translated by Richard J. This is one of the series of Cambridge Texts in the History of Philosophy, published with the aim of expanding the range, variety and quality of texts available in English in the history of philosophy.
New York, As we enter the postmodernist twenty-first century, individualists like Bruno have a fascination and appeal. A renegade Dominican who was burned alive at the stake in Rome in the Campo dei Fiori, his prefatory epistle to Cause, Principle and Unity has a certain precognitive poignancy.
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O mount, though the Earth bounds you, holding you by the deep roots on which you repose, at the summit you can stretch to heaven. O mind, a sister mind from the high summit of the world calls you, to be the boundary between heaven and hell. Do not lose your rights here below, and do not touch the black waters of Acheron, falling to the bottom and becoming caught in it.
Giordano Bruno, Cause, Principle and Unity - PhilPapers
Rather, investigate the sublime recesses of nature, since, if God moves you, you will become ardent fire. Cause, Principle and Unity is presented in the form of dialogues; On Magic as essays. They are not great treatises of philosophy, but they are of considerable interest from a historical perspective and also for those who have sympathy for the mercurial, impetuous, sincere and irascible Bruno—the man.
Often called the Nolan after his birthplace near Naples, Bruno wandered restlessly across Europe preaching his doctrine of cosmic consciousness and publishing it in dialogues and poetry that read today like volcanic spiritual upheavals.
With Tommaso Campanella, author of the utopian City of the Sun and a controversial Defense of Galileo, Bruno represents the traumatic decline of humanistic philosophy, heralding the birth of modern natural science at the hands of Galileo and Francis Bacon. His major writings, attacking the Roman Catholic Church and celebrating the poetic frenzy of creative geniuses, have inspired writers of a similar temperament down to the days of James Joyce, who drew on Bruno, as well as Giambattista Vico, for Finnegans Wake.
Bruno died in Giordano Bruno's notorious public death in , at the hands of the Inquisition in Rome, marked the transition from Renaissance philosophy to the Scientific Revolution of the seventeenth century. In his philosophical works he addressed such delicate issues as the role of Christ as mediator and the distinction, in human beings, between soul and matter.