Manual Watercolour Still Life (Art School)

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In the Rococo style floral decoration became far more common on porcelain , wallpaper , fabrics and carved wood furnishings, so that buyers preferred their paintings to have figures for a contrast. One change was a new enthusiasm among French painters, who now form a large proportion of the most notable artists, while the English remained content to import. Jean-Baptiste Chardin painted small and simple assemblies of food and objects in a most subtle style that both built on the Dutch Golden Age masters, and was to be very influential on 19th-century compositions.

Dead game subjects continued to be popular, especially for hunting lodges; most specialists also painted live animal subjects. Jean-Baptiste Oudry combined superb renderings of the textures of fur and feather with simple backgrounds, often the plain white of a lime-washed larder wall, that showed them off to advantage. By the 18th century, in many cases, the religious and allegorical connotations of still-life paintings were dropped and kitchen table paintings evolved into calculated depictions of varied colour and form, displaying everyday foods. The French aristocracy employed artists to execute paintings of bounteous and extravagant still-life subjects that graced their dining table, also without the moralistic vanitas message of their Dutch predecessors.

Jean-Baptiste Chardin 's still-life paintings employ a variety of techniques from Dutch-style realism to softer harmonies. The bulk of Anne Vallayer-Coster 's work was devoted to the language of still life as it had been developed in the course of the seventeenth and eighteenth centuries. Vallayer-Coster had a way about her paintings that resulted in their attractiveness.

This interaction between art and nature was quite common in Dutch , Flemish and French still lifes. The end of the eighteenth century and the fall of the French monarchy closed the doors on Vallayer-Coster's still-life 'era' and opened them to her new style of florals. However, it has also been argued that the flower paintings were futile to her career. Nevertheless, this collection contained floral studies in oil, watercolour and gouache. The Academies taught the doctrine of the " Hierarchy of genres " or "Hierarchy of Subject Matter" , which held that a painting's artistic merit was based primarily on its subject.

In the Academic system, the highest form of painting consisted of images of historical , Biblical or mythological significance, with still-life subjects relegated to the very lowest order of artistic recognition. Instead of using still life to glorify nature, some artists, such as John Constable and Camille Corot , chose landscapes to serve that end. When Neoclassicism started to go into decline by the s, genre and portrait painting became the focus for the Realist and Romantic artistic revolutions.

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Many of the great artists of that period included still life in their body of work. Henri Fantin-Latour , using a more traditional technique, was famous for his exquisite flower paintings and made his living almost exclusively painting still life for collectors. However, it was not until the final decline of the Academic hierarchy in Europe, and the rise of the Impressionist and Post-Impressionist painters, that technique and colour harmony triumphed over subject matter, and that still life was once again avidly practiced by artists.

In his early still life, Claude Monet shows the influence of Fantin-Latour, but is one of the first to break the tradition of the dark background, which Pierre-Auguste Renoir also discards in Still Life with Bouquet and Fan , with its bright orange background. With Impressionist still life, allegorical and mythological content is completely absent, as is meticulously detailed brush work.

Impressionists instead focused on experimentation in broad, dabbing brush strokes, tonal values, and colour placement. The Impressionists and Post-Impressionists were inspired by nature's colour schemes but reinterpreted nature with their own colour harmonies, which sometimes proved startlingly unnaturalistic. As Gauguin stated, "Colours have their own meanings. Vincent van Gogh 's "Sunflowers" paintings are some of the best-known 19th-century still-life paintings. Van Gogh uses mostly tones of yellow and rather flat rendering to make a memorable contribution to still-life history. His Still Life with Drawing Board is a self-portrait in still-life form, with Van Gogh depicting many items of his personal life, including his pipe, simple food onions , an inspirational book, and a letter from his brother, all laid out on his table, without his own image present.


In the United States during Revolutionary times, American artists trained abroad applied European styles to American portrait painting and still life. Charles Willson Peale founded a family of prominent American painters, and as major leader in the American art community, also founded a society for the training of artists as well as a famous museum of natural curiosities. His son Raphaelle Peale was one of a group of early American still-life artists, which also included John F. Peto specialized in the nostalgic wall-rack painting while Harnett achieved the highest level of hyper-realism in his pictorial celebrations of American life through familiar objects.

Mary Cassatt , — , Lilacs in a Window William Harnett — , After the Hunt Darius Cobb — , an American Civil War trompe l'oeil composition, here in a chromolithograph print. The first four decades of the 20th century formed an exceptional period of artistic ferment and revolution. Avant-garde movements rapidly evolved and overlapped in a march towards nonfigurative, total abstraction. The still life, as well as other representational art, continued to evolve and adjust until mid-century when total abstraction, as exemplified by Jackson Pollock 's drip paintings, eliminated all recognizable content.

The century began with several trends taking hold in art. French artist Odilon Redon also painted notable still life during this period, especially flowers. Henri Matisse reduced the rendering of still-life objects even further to little more than bold, flat outlines filled with bright colours. He also simplified perspective and introducing multi-colour backgrounds. Between and , Cubist artists like Pablo Picasso , Georges Braque , and Juan Gris painted many still-life compositions, often including musical instruments, bringing still life to the forefront of artistic innovation, almost for the first time.

Still life was also the subject matter in the first Synthetic Cubist collage works, such as Picasso's oval "Still Life with Chair Caning" In these works, still-life objects overlap and intermingle barely maintaining identifiable two-dimensional forms, losing individual surface texture, and merging into the background—achieving goals nearly opposite to those of traditional still life.

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Rejecting the flattening of space by Cubists, Marcel Duchamp and other members of the Dada movement, went in a radically different direction, creating 3-D "ready-made" still-life sculptures. As part of restoring some symbolic meaning to still life, the Futurists and the Surrealists placed recognizable still-life objects in their dreamscapes. Escher , best known for his detailed yet ambiguous graphics, created Still life and Street , his updated version of the traditional Dutch table still life.

When 20th-century American artists became aware of European Modernism , they began to interpret still-life subjects with a combination of American realism and Cubist-derived abstraction. O'Keeffe's ultra-closeup flower paintings reveal both the physical structure and the emotional subtext of petals and leaves in an unprecedented manner. In Mexico, starting in the s, Frida Kahlo and other artists created their own brand of Surrealism, featuring native foods and cultural motifs in their still-life paintings.

Starting in the s, abstract expressionism severely reduced still life to raw depictions of form and colour, until by the s, total abstraction dominated the art world.

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However, pop art in the s and s reversed the trend and created a new form of still life. Much pop art such as Andy Warhol 's "Campbell's Soup Cans" is based on still life, but its true subject is most often the commodified image of the commercial product represented rather than the physical still-life object itself. Wayne Thiebaud 's Lunch Table portrays not a single family's lunch but an assembly line of standardized American foods.

The Neo-dada movement, including Jasper Johns , returned to Duchamp's three-dimensional representation of everyday household objects to create their own brand of still-life work, as in Johns' Painted Bronze and Fool's House By contrast, the rise of Photorealism in the s reasserted illusionistic representation, while retaining some of Pop's message of the fusion of object, image, and commercial product. Typical in this regard are the paintings of Don Eddy and Ralph Goings. Petersburg , Russia. Odilon Redon — , Flowers Marsden Hartley — , Handsome Drinks c. Pablo Picasso , Compotier avec fruits, violon et verre During the 20th and 21st centuries, the notion of the still life has been extended beyond the traditional two dimensional art forms of painting into video art and three dimensional art forms such as sculpture, performance and installation.

Some mixed media still-life works employ found objects, photography, video, and sound, and even spill out from ceiling to floor and fill an entire room in a gallery. Through video, still-life artists have incorporated the viewer into their work.

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Following from the computer age with computer art and digital art , the notion of the still life has also included digital technology. To see what your friends thought of this book, please sign up. To ask other readers questions about Watercolor Still Life , please sign up. Be the first to ask a question about Watercolor Still Life. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Rating details. All Languages. More filters. Sort order.

Sanna rated it it was ok Mar 12, Erin rated it did not like it Jun 23, Ron Ibanez rated it it was amazing Feb 27, Biz Boston rated it it was amazing Jul 19, Nita rated it liked it Apr 24, Rocketshipdog added it May 20, Margo marked it as to-read Feb 26, Kathy added it Feb 22, Stephen W added it Sep 15, Yinzadi marked it as to-read Nov 28, L added it May 25, Leslie will start with a demonstration of the many approaches she uses to create an abstract painting.

There will be guided exercises to help you liberate your individual style and explore where your journey will take you in the art of abstract. There will be no expectations, negative voices, dismissive criticism.

This will be all about fun. We will touch on the color wheel and color mixing to assure everyone has the same basic understanding of these concepts. We will explore various washes and landing points building and subtracting.

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We will discuss the many different styles of composition including value and shape. You will learn to be generous with yourself. Get out of your comfort zone, let loose your creativity, get rid of that inner critic that has you stuck.

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So that by the final phase, you will be able to put the finishing touches on your own beautiful abstract painting,. Leslie Newman is a self-taught abstract artist living in Marietta, Georgia. She grew up in Washington, D. C where from an early age she spent her weekends exploring the many art galleries the city has to offer.

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Starting to draw and paint as a very young girl, she encountered an art teacher who changed her life by gently guiding her toward her life's passion — painting. Beginning in watercolor, Leslie has gravitated to abstract because she loves the freedom that it gives her. Paint the Floral Still Life With. Robert Johnson. December 6th-8th. The artistic value and descriptive power of good brushstrokes and the attractive quality of fresh oil paint will be emphasized.

The instructor will demonstrate this approach to painting. Time tested techniques to achieving a beautiful painting passed down from the masters will be emphasized. All levels welcome. Robert had an instinctive love for art from an early age. He also loved sports and attended Duke University on a football scholarship and later graduated from Duke Law School. Even though focused on academics and athletics, he kept his painting and drawing going in his private time. His love of art and drive to see the best art of Europe caused him to veer from the usual legal career path.

He moved to Germany where lived for two years in a small German village, learned German, and travelled extensively see the best art in Europe while at the same time working privately on his own painting and drawing skills. After returning to the US and several years of juggling the demands and conflicts of two diverging careers he sought the advice of Frank Wright, a prominent painter and instructor of Art at George Washington University.